Behringer NEUTRON Quick Start Guide - Page 8
Step 2: Controls - patches
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14 NEUTRON NEUTRON Controls (EN) Step 2: Controls OSCILLATOR SECTION VCO (VOLTAGE CONTROLLED OSCILLATOR) (1) and (3) OSC TUNE - Adjusts the frequency of oscillators. (2) OSC MIX - Adjusts the blend between oscillator 1 and 2. (4) and (5) OSC SHAPE - Adjusts the shape of the oscillator. Can be configured to switch between fixed waveforms or to blend continuously between adjacent waveforms. (6) and (7) OSC RANGE - Adjusts the pipe length of oscillators between 32/16/8. +/-10 octave mode enabled when all 3 LEDs are on. (8) OSC SYNC - OSC 2 syncs to OSC 1 period. (9) PARAPHONIC - Allows the two oscillators to be independently pitched when more than one MIDI note is played. If only one note is received, both oscillators will play the same pitch. (10) and (11) PULSE WIDTH (PW) - Sets the pulse width of oscillator square / tone mod waveforms. VCF SECTION (VOLTAGE CONTROLLED FILTER) (12) FREQ - Adjusts the cutoff frequency of the VCF. (13) MODE - Selects the filter type. Choose between High Pass Filter ( ), Band Pass Filter ( ) and Low Pass Filter ( ). (14) RESO - Adjusts the resonance of the filter. (15) KEY TRK - Applies keyboard tracking to the VCF. (16) MOD DEPTH - Sets the depth of filter modulation from the FREQ MOD input. (17) ENV DEPTH - Sets the depth of filter modulation from ENVELOPE 2. LFO SECTION (LOW FREQUENCY OSCILLATOR) (18) SHAPE - Adjusts the shape of the LFO. (19) RATE - Adjusts the frequency of the LFO. (20) KEY SYNC - Re-trigger the LFO when a midi note is received. NOISE & VCA BIAS (21) NOISE LEVEL - Adjusts the amount of white noise injected into the filter. (22) VCA BIAS - Opens or closes the VCA. DELAY SECTION (23) TIME - Controls the rate of the delay. (24) REPEATS - Controls the number of repeats. (25) MIX - Adjusts the wet/dry mix of the Delay. OVERDRIVE SECTION (26) DRIVE - Sets the amount of overdrive. (27) TONE - Changes the timbre of the overdriven sound. (28) LEVEL - Controls the volume of the overdrive output. When fully off you may hear no audio at the output. ENVELOPE SECTION ENVELOPE 1 Envelope 1 is routed to the VCA CV by default. (29) A [ATTACK] - Controls the attack time of the envelope. (30) D [DECAY] - Controls the decay time of the envelope. (31) S [SUSTAIN] - Controls the sustain level of the envelope. (32) R [RELEASE] - Controls the release time of the envelope. ENVELOPE 2 Envelope 2 is routed to the VCF filter cutoff via ENV DEPTH control by default. See 17. ADSR knobs 33-36 function the same as 29-32. OUTPUT SECTION (37) VOLUME - Controls the main output level. (38) MIDI IN - Accepts incoming MIDI data from the selected midi channel. SAMPLE & HOLD CLOCK Generates a random pattern based on the sample & hold clock. (39) RATE - Controls the rate of the SAMPLE AND HOLD clock. (40) GLIDE - Sets the rate of change between sample values. SLEW RATE LIMITER (41) SLEW - limits the rate of change of the input signal. (42) PORTA TIME - Controls the rate of change between midi notes. ATTENUATOR SECTION (43) ATTENUATOR 1 - Used to reduce the amplitude of the input signal. ATT1 can be controlled by a control voltage. See 58. (44) ATTENUATOR 2 - Reduces the amplitude of a signal. INPUT PATCH BAY SECTION (45) OSC 1 -OSC 1 pitch CV. (46) OSC 2 - OSC 2 pitch CV. (47) OSC1+2 - OSC 1 and 2 pitch CV. (48) INVERT IN - The input signal is inverted at INVERT OUT. See 88. (49) SHAPE 1 - OSC 1 Shape CV. (50) SHAPE 2 - OSC 2 Shape CV. (51) PW1 - OSC 1 PW CV. (52) PW2 - OSC 2 PW CV. (53) VCF - VCF signal input. (54) FREQ MOD - VCF cutoff frequency CV. (55) RES - VCF resonance CV. (56) OD IN - Overdrive signal input. (57) VCA IN - VCA signal input. (58) VCA CV - VCA CV. (59) DELAY IN - Delay signal input. (60) DELAY TIME - Delay time CV. (61) E.GATE1 - Envelope 1 gate. (62) E.GATE2 - Envelope 2 gate. (63) S&H IN - Sample and Hold signal input. (64) S&H CLOCK -Sample and Hold clock input. (65) LFO RATE - LFO Rate CV. (66) LFO SHAPE - LFO Shape CV. (67) LFO TRIG - LFO Trigger input. (68) MULT - MULT signal input. See 92/93. (69) ATT1 IN - Attenuator 1 signal input. (70) ATT1 CV - Attenuator 1 CV. (71) ATT2 IN - Attenuator 2 signal input. (72) SLEW IN - Slew signal input. (73) SUM1(A) - SUM 1 first signal input. See 98. (74) SUM1(B) - SUM1 Second signal input. See 98. (75) SUM2(A) - SUM 2 first signal input. See 99. (76) SUM2(B) - SUM 2 first signal input. See 99. OUTPUT PATCH BAY SECTION (77) OSC 1 - Output of Oscillator 1. (78) OSC 2 - Output of Oscillator 2. (79) OSC Mix - Output of OSC 1/2 mix. (80) VCF 1 - Main output of the filter. (81) VCF 2 - Alternate output of the filter. (82) OVERDRIVE - Overdrive output signal. (83) VCA - Voltage Controlled Amplifier output signal. (84) OUTPUT - Main output signal, post delay. (85) NOISE - Output of the white noise generator. (86) ENV1 - Envelope 1 output. (87) ENV2 - Envelope 2 output. (88) INVERT - Inverted version of signal applied to INVERT IN. See 48. (89) LFO - Output of the Bipolar LFO (-5 V to +5 V). (90) LFO UNI - Output of the Unipolar LFO (0V to +5 V). (91) S&H - Sample and Hold output signal. (92) MULT 1 - Duplicate of signal applied to MULT IN. See 68. (93) MULT 2 - Duplicate of signal applied to MULT IN. See 68. (94) MIDI GATE - MIDI gate output. (95) ATT1 - Output of Attenuator 1. (96) ATT2 - Output of Attenuator 2. (97) SLEW - Output of Slew. (98) SUM1 - Summation of SUM 1(A+B). (99) SUM2 - Summation of SUM 2(A+B). (100) ASSIGN - Assignable output. See User Configurable Options & Features. Quick Start Guide 15