Rane TTM 56S Operation Manual - Page 3

Outputs AUX OUT may be used for recording, booth monitoring, a second zone, or for connecting to another mixer for session mix. AUX OUT is the same as the Master Mix with independent Level control. MASTER OUT includes two sets of stereo outputs: The ¼" TRS jacks provide high current balanced (Tip-Ring-Sleeve) output. Use the balanced output whenever driving equipment with a balanced input, or when running distances greater than 10 feet (3 meters). Due to the high drive capability and low impedance, never use a mono ¼" Tip/Sleeve (no ring) plug in this jack. Use the RCA unbalanced outputs for shorter runs connecting to unbalanced devices. See the RaneNote "Sound System Interconnection" if you need to convert between balanced and unbalanced or run long distances. Mic Section MIC LEVEL sets the gain of the Mic Input. The range of operation is OFF to +50 dB. There is no engage switch, so set the MIC LEVEL to zero (0) when not in use. The OL indicator lights 6 dB before clipping. Adjust MIC LEVEL so the OL indicator flashes only when you shout into the mic. MIC HIGH and LOW tone controls provide as much as 12 dB of boost or 12 dB of cut. These controls have no effect when the controls are set to their center detent (12 o'clock). MIC 4 6 2 8 0 10 LEVEL OL PGM 1 4 6 2 8 OFF +6 HIGH 0 10 GAIN -12 +12 OFF +6 EQ HIGH MID -12 +12 LOW OFF +6 LOW 4 6 2 8 0 10 AUX IN L PAN R FlexFX DRY PGM 2 4 6 2 8 0 10 GAIN OFF +6 HIGH EQ OFF +6 MID FlexFX OFF +6 LOW 4 2 0 MAS 4 2 0 AUX 4 2 0 PHONE WET L PAN R MAST Program and Aux Input SecTtTioMn56 PGM 1 inputs are sent to the left side of the crosPsEfRaFdOeRrM.A(NwCEitMhIXtEhRe REVERSE switch out) CHANNEL REVERSE PGM 2 inputs are sent to the right side of the crossfader. (with the REVERSE switch out) PGM 1 C AUX INPUT adds another line-level input to the mix. This input comes in after the crossfader and FlexFX Loop. REVERSE GAIN controls adjust the signal level before it gets to the Faders. Set the GAIN controls to indicate an average signal level of +4 on the meter with the program faders set to maximum. DMoOnD'Et 1use the GTARAINNScFoOnRtMrols to set the output level...usTeRtAhNeSMFOARMSTER LEVEL control to set the output level. This is a very simpMleODtEh2ing, yet makes a huge difference in the performance of your mixer. REVERSE MODE 1 MODE 2 EQ switches engage the 3-band tone controls. EQ swFAitScThes may be used in conjunction with the Hi, Mid and Low controls as "kill" switches. Set the rotary controls and flip the switch. MONO PGM1 / PGM2 HIGH tone controls affect frequencies above 4 kHz.CTOhNeTOraUnRge of control is +6 dB to OFF (full kill). The cenSTtEeRrEdOeHtOeUnStEposition leaves this filter inactive. This filter is just above the vocal range, and can make small tonal changes, or eliminate high frequency signals. +10 SLOW MID tone controls affect frequencies from 300 Hz to 4 kHz (vocal midrange). The range of control+i7s +6 dB to OFF (full kill). The center detent position leaves this filter inactive. Use for small tonal changes or to cut midrange si+g4nals. +2 LOW tone controls affect frequencies below 300 Hz. The range is +6 dB to OFF (full kill). The cente0r detent position leaves the filter inactive. These filters influence signals below the vocal range. Use to adjust or eliminate bass beat-2s. -4 PAN controls adjust the Left and Right balance of PGM 1 and PGM 2. Don't use these excessively f-7or left/right pan effect, they are not as durable as the Faders. For left/right pan effect, use the program faders in Mode 2. -10 -20 CONTO S REVERSE MODE 1 MODE 2 Manual-