Rane TTM 56S Operation Manual

Rane TTM 56S Manual

Rane TTM 56S manual content summary:

  • Rane TTM 56S | Operation Manual - Page 1
    adjustment of CONTOUR, giving smooth blend or fast cut. • The CHANNEL REVERSE switch allows the left-hand or right-hand fader to control PGM 1 or PGM 2. 4 6 2 8 0 10 AUX IN L PAN R TTM 56 PERFORMANCE MIXER DRY WET CHANNEL REVERSE L PAN R MASTER / CUE PGM 1 CUE PGM 2 REVERSE MODE
  • Rane TTM 56S | Operation Manual - Page 2
    mixer's output for session mix. This Input is mixed after the Crossfader and Effects loop. MIC INPUT is a balanced input specifically designed for a dynamic microphone. Power POWER connector. This is not a telephone jack! Connect only the Rane RS 1 power supply included with your TTM 56. The POWER
  • Rane TTM 56S | Operation Manual - Page 3
    CHANNEL REVERSE PGM 2 inputs are sent to the right side of the crossfader. crossfader and FlexFX Loop. REVERSE GAIN controls adjust the signal level before it gets to the Faders performance of your mixer. REVERSE MODE 1 MODE 2 EQ switches engage the 3-band tone controls. EQ swFAitScThes may be used
  • Rane TTM 56S | Operation Manual - Page 4
    .) TTM 56 PERFORMANCE MIXER CHANNEL REVERSE PGM 1 REVERSE MODE 1 MODE 2 TRANSFORM TRANSFORM REVER MODE 1 MODE 2 TRANSFORM switches provide two functions: • PHONO / LINE source selection for PGM 1 and 2. • Quick cut between the used and unused input. The switches are easily field replaceable
  • Rane TTM 56S | Operation Manual - Page 5
    but is not affecTtedTbMy th5e M6ASTER LEVEL control. PERFORMANCE MIXER • Use CUE (in) to monitor the Program Input signal before fCaHdAinNgNEinL.RTEhVEisRsSiEgnal is not affected by the Program Faders or Crossfader. Because the Effects Loop is after the Fader, you will not hear effects in the Cue
  • Rane TTM 56S | Operation Manual - Page 6
    Channel Fader Response FULL ON OFF FULL ON OFF FULL ON OFF FULL ON OFF LEFT LEFT Manual- RIGHT RIGHT Channel Fader Response showing effect of Reverse, Mode 1, Mode 2, and Contour controls.
  • Rane TTM 56S | Operation Manual - Page 7
    Crossfader Response Crossfader Response showing effect of Reverse, Mode 1, Mode 2, and Contour controls. Manual-
  • Rane TTM 56S | Operation Manual - Page 8
    them, follow the simple instructions on page Manual-8. Q: Can I install magnetic faders in any other mixer? A: Sorry. The connectors may be similar, but the circuits are very different. Connecting the faders to anything other than the in- tended cable in the TTM 56 could permanently damage them
  • Rane TTM 56S | Operation Manual - Page 9
    knobs from controls covered by the Lexan faceplate. 4. Remove the four, 4-40 screws attaching the Lexan faceplate. 5. Remove the Lexan faceplate. See the picture and instructions below. The rails of the fader are now accessible for normal cleaning and lubrication. 6. Remove fader from mixer if more
  • Rane TTM 56S | Operation Manual - Page 10
    holding the switch mounting plate. 13. Reinstall the decor faceplate and re-attach control knobs. Transform Switch TTM 56 Block Diagram LINE 1 LEFT PGM 1 PHONO 1 LEFT RIAA GAIN TRIM -12 +12 CH 1 BAL OL EQ +6 OFF LOW MID HIGH CH 1 RIGHT CH 1 FADER TOP GAIN OFF +50 dB MIC INPUT PGM 1L
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Manual-±
TTM 56
PERFORMANCE MIXER
OPERATORS MANUAL
Quick Start
Congratulations! You are the proud owner of an exceptional perfor-
mance instrument. Experienced turntablists will find the TTM 56
comfortable and familiar. °e TTM 56 has many unique features
which are mastered quicker if you read the manual. Right! We
know you can’t resist jumping right in, but please
read at least this
portion of the manual
. It will help you get a good start.
About the faders:
°e program faders and crossfader are magnetic,
non-contact faders
. °is means
No travel noise – No bleed – Ever!
°e electrical performance of the faders is unaffected by use. Old
habits are hard to break, but you really don’t have to mess with
these faders. °e magnetic faders in this mixer are very different
from what you are used to. Be sure and read the
Q
and
A
section
on page Manual-8.
Special Features:
Program fader
MODE
switches allow selecting two sets of
curves:
MODE 1
gives the familiar stereo fader response.
MODE 2
gives a left/right pan effect.
Both curves allow continuous adjustment of
CONTOUR
, giv-
ing smooth blend or fast cut.
°e
CHANNEL REVERSE
switch allows the left-hand or
right-hand fader to control PGM 1 or PGM 2.
WEAR PARTS:
°is product contains the following wear parts subject to the ninety (90) day warranty period described on page
Warranty-1: ST 2 Phono/Line Switch Assembly (2).
°e
CROSSFADER MODE
switch allows selecting two sets of curves:
MODE 1
gives the familiar PGM 1 to PGM 2 cross-fade response.
MODE 2
gives a center cut response (PGM 1 and PGM 2 are
off
in the
center
).
Independent
CONTOUR
controls for each side of the crossfader allow cut on one side and blending on the other (or any combination).
Auxiliary Inputs and Outputs, with independent level controls, give session mixing ability.
AUX
Inputs may be used for a drum machine, tape, etc.
AUX
Input is after the crossfader and after the effects loop.
AUX
Outputs may be used for recording, booth monitoring, or a second zone.
AUX
Output is the same as the Master Mix.
FlexFX
allow assignment of PGM 1, PGM 2 or both to the effects loop. °e effects loop is
post-fader
. You get great results when us-
ing the program faders or crossfader with reverb or other delay effects.
WET
/
DRY
pan lets you control how much effect is in the mix.
°ree-band
Accelerated-Slope™
EQ allows full cut of each band. °e
EQ
engage switch lets you A/B compare or quickly transform the
EQ effect.
Two 10-segment meters provide dual-mono-Cue
or
stereo-Master operation.
Yes, we included a power switch on the rear.
°e flexibility of the TTM 56 faders can result in some initial confusion. We highly recommend trying one thing at a time to avoid
this.
Make sure the CHANNEL REVERSE switch is off
. Start by changing the Mode and Contour of each fader, one at a time. See the dia-
grams on pages Manual-6-7 to understand the fader responses under different settings. Once you understand the controls, start creating!
MIC
LEVEL
HIGH
LOW
HIGH
GAIN
GAIN
HIGH
MID
EQ
EQ
MID
AUX OUT
LOW
FlexFX
FlexFX
LOW
PHONES LEVEL
PGM 2
PGM 1
MASTER
OL
10
0
+12
-12
+12
-12
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
10
0
6
4
2
8
6
4
2
8
10
0
6
4
2
8
10
0
6
4
2
8
10
0
6
4
2
8
10
0
6
4
2
8
AUX IN
+10
+7
+4
+2
0
-4
-2
-7
-10
-20
10
0
6
4
2
8
PERFORMANCE MIXER
FAST
SLOW
TTM 56
L
REVERSE
CONTOUR
REVERSE
MODE 1
MODE 2
CONTOUR
MODE 1
MODE 2
CHANNEL REVERSE
TRANSFORM
TRANSFORM
STEREO HOUSE
MONO PGM1 / PGM2
A
B
PAN
R
DRY
WET
L
PAN
MASTER / CUE
R
PGM 1
CUE
PGM 2
REVERSE
MODE 1
MODE 2
FAST
SLOW