Panasonic AJ-PX800G Brochure - Page 5

Ultra-high Quality The recorder section offers AVC-ULTRA multi-codec recording capability and 2 slots for P2 cards. AVC-ULTRA Codec Supported as Standard From mastering to streaming, the image quality and bit rate can be selected to match the application. Panasonic's professional A/V codec family, AVC-ULTRA, is provided as standard to meet the particular needs of broadcasting and video production. An intra-frame compression method that is highly suited to image production, AVC-Intra100/50. An inter-frame compression method that achieves highquality HD recording at a low bit rate. Ideal for providing on-air content direct from the shooting location and for workflows using content transferred over the internet. Three bit rates are available: AVC-LongG50/25/12 Mbps. AVC-LongG25 provide 10 bit/4:2:2 quality at a bit rate of approximately 25 Mbps. Low-bit-rate, high-resolution, high-soundquality proxy video (Quick Time/H.264) is also recorded with the actual data.* Also includes metadata for efficient offline editing. * Proxy data cannot be recorded when using the Loop Rec or Interval Rec function. Proxy data is low-resolution video and audio data with time code, metadata, and other management data in a file format. The use of DCF Technologies is under license from Multi-Format, Inc. HD/SD Multi Format/Multi Codec The AJ-PX800G supports 59.94 Hz/50 Hz switching for convenient use in productions headed for global use, and records 1080/60i,* 50i, 24p,* 25p, 30p* and 720p HD/SD multiple format. DVCPRO HD/DVCPRO50/DVCPRO/DV recording is also supported. * 60i, 60p, 24p and 30p are actually 59.94i, 59.94p, 23.98p and 29.97p. High-Quality 24 Bit Four Channel Audio Recording AVC-Intra and AVC-LongG*1 modes support 24bit/48kHz/4CH digital audio recording*2. Audio source for each channel can be selected for each channel, choosing from mic-in, line-in and wireless receiver. *1: The AVC-LongG12 mode does not support 24 bit digital audio recording. *2: The audio signal can be played back by using 24 bit digital audio equipment. For details, refer to "Note Regarding 24 bit Audio" on the back page. Two Slots for Versatile Recording Option • Using Memory Card Adapter AJ-P2AD1G, microP2 card can be used. • Simul Rec: Records simultaneously onto two P2 cards. • Dual-codec recording: Records a low-rate AVC-Proxy file while recording main data in AVC-Intra/AVC-LongG. • Hot-Swap Rec: Thanks to the two card slots, you can hot-swap P2 cards Simultaneous REC for continuous non-stop recording. A B C • One-Clip rec mode:*1 Records up to 99 consecutive cuts as a single clip. A B C • Loop rec: Repeatedly re-records while mSiamiunlttaanienoiunsgREaC recording of the most recent, pre-dAeterminBed periodC. • Pre-rec:*1 Continuously stores footage prior to prAessing RBec StartCfor recovery if desired. Dual codec REC A B C Loop REC Proxy A PrHooxtysBwap Proxy C (1) or A (3) B (1) C • Interval rec: Automatically records Pro(2x)y A Proxy B Proxy(2C) intermittently based on a set interval and recLoorodpiRnEgC time. Hot swap Proxy A Proxy B Proxy C • One-shot rec: A(1) fram(e3)-shot recording (1) fuOnnectciliopnREuCseful for producing animations. A B C • Text Memo:*2 Up to 100 memos can be posted onto a clip as bookmarks. (2) (2) Recorded as One clip • Shot Marker:*2 Used to mark clips as OK, NG, etc. • Metadata: Data with information such as operator's name, shooting location, and text memos can be added via an SD memory card. • Rec Check: This lets you run a quick playback check of the clip-end you have just recorded. *1: Not available in 24p, 25p and 30p recording modes. *2: Shot marker and text memo cannot be used in loop rec, interval rec, or one-shot rec. The use of DCF Technologies is under license from Multi-Format, Inc. Dual cod One clip 4