Fender 1998 Owner Manual - Page 5

electronics

Page 5 highlights

Midrange Boost The Midrange Boost Control allows you to increase the midrange response of the guitar. By turning the knob clockwise, you gradually boost the midrange and bass frequencies as you decrease the treble frequencies. You can actually shape the sound of the pickups. Caution: At maximum setting, the volume increase is approximately 25 dB in the low-mid range, so the output of your instrument could be substantially more powerful than that of a standard guitar or bass. Notch Filter Frequency Shift The active electronic circuitry is controlled by a three-way on-board switch, and offers three modes: Passive (standard tone control), Narrow Frequency Band Notch Filter, and Wide Band Notch Filter. This circuit acts quite differently from the normal "boost" circuit that is usually available on instruments. The Notch Filter takes a particular frequency of the bass and cuts that frequency, thereby emphasizing the remaining frequencies and creating a unique tone. With the Frequency Shift Control, the center of the "notch" can range anywhere from 100 Hz to 10,000 Hz. This circuit also offers two different notch configurations, one that cuts a very narrow band of frequencies, and one that cuts a wider band of frequencies. Both are tuneable with the Frequency Shift Control. In the Passive position, the Frequency Shift Control is inoperative. Note: As you turn the Frequency Shift Control from 1 to 10, the notch moves from high frequencies to low frequencies-therefore the tone you hear does the opposite. In other words, moving the Frequency Shift Control from 1 to 10 causes the tone you hear to go from bass to treble. SWITCHES Pickup Selector The pickup selector switch does just what it implies, it selects the pickups either alone or in combination. Dual pickup models are supplied with a three position switch, while the three pickup models are equipped with a five position switch. Note: Some reissue models are equipped with a three position switch. Rotary Switch Some basses are equipped with a rotary switch that controls the electronics and has four positions. 1. Standby (full clockwise position) - All controls are off. 2. Active with presetable Mid Boost - The bass and treble controls are active. There is also a presetable boost added to the midrange frequencies. To adjust the amount of midboost, remove the backplate and adjust the miniature potentiometer located between the rotary switch and the tone controls. The amount of midboost can be adjusted from approximately 1db to 8db. Maximum midboost occurs at full clockwise rotation. 3. Active, Flat - The bass and treble controls are active 4. Passive - The lower tone control knob (bass) acts as a standard control knob. 2

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Midrange
Boost
The
Midrange
Boost
Control
allows
you
to
increase
the
midrange
response
of
the
guitar.
By
turning
the
knob
clockwise,
you
gradually
boost
the
midrange
and
bass
frequencies
as
you
decrease
the
treble
frequencies.
You
can
actually
shape
the
sound
of
the
pickups.
Caution:
At
maximum
setting,
the
volume
increase
is
approximately
25
dB
in
the
low
-mid
range,
so
the
output
of
your
instrument
could
be
substantially
more
powerful
than
that
of
a
standard
guitar
or
bass.
Notch
Filter
Frequency
Shift
The
active
electronic
circuitry
is
controlled
by
a
three-way
on
-board
switch,
and
offers
three
modes:
Passive
(standard
tone
control),
Narrow
Frequency
Band
Notch
Filter,
and
Wide
Band
Notch
Filter.
This
circuit
acts
quite
differently
from
the
normal
"boost"
circuit
that
is
usually
available
on
instruments.
The
Notch
Filter
takes
a
particular
frequency
of
the
bass
and
cuts
that
frequency,
thereby
emphasizing
the
remaining
frequencies
and
creating
a
unique
tone.
With
the
Frequency
Shift
Control,
the
center
of
the
"notch"
can
range
anywhere
from
100
Hz
to
10,000
Hz.
This
circuit
also
offers
two
different
notch
configurations,
one
that
cuts
a
very
narrow
band
of
frequen-
cies,
and
one
that
cuts
a
wider
band
of
frequencies.
Both
are
tuneable
with
the
Frequency
Shift
Control.
In
the
Passive
position,
the
Frequency
Shift
Control
is
inoperative.
Note:
As
you
turn
the
Frequency
Shift
Control
from
1
to
10,
the
notch
moves
from
high
frequencies
to
low
frequencies
—therefore
the
tone
you
hear
does
the
opposite.
In
other
words,
moving
the
Frequency
Shift
Control
from
1
to
10
causes
the
tone
you
hear
to
go
from
bass
to
treble.
SWITCHES
Pickup
Selector
The
pickup
selector
switch
does
just
what
it
implies,
it
selects
the
pickups
either
alone
or
in
combination.
Dual
pickup
models
are
supplied
with
a
three
position
switch,
while
the
three
pickup
models
are
equipped
with
a
five
position
switch.
Note:
Some
reissue
models
are
equipped
with
a
three
position
switch.
Rotary
Switch
Some
basses
are
equipped
with
a
rotary
switch
that
controls
the
electronics
and
has
four
positions.
1.
Standby
(full
clockwise
position)
-
All
controls
are
off.
2.
Active
with
presetable
Mid
Boost
-
The
bass
and
treble
controls
are
active.
There
is
also
a
presetable
boost
added
to
the
midrange
frequencies.
To
adjust
the
amount
of
midboost,
remove
the
backplate
and
adjust
the
miniature
potentiom-
eter
located
between
the
rotary
switch
and
the
tone
controls.
The
amount
of
midboost
can
be
adjusted
from
approximately
1db
to
8db.
Maximum
midboost
occurs
at
full
clockwise
rotation.
3.
Active,
Flat
-
The
bass
and
treble
controls
are
active
4.
Passive
-
The
lower
tone
control
knob
(bass)
acts
as
a
standard
control
knob.
2